The sound design for Prue Lang’s Timeshift project as part of the 2012 VCA Dancescape programme incorporated a mixture of field recordings, original compositions and licensed material. Working with Prue was an exciting and dynamic process of discovery, looking for sound which had points of connection to the choreography but avoided any literal parallels.

Additional pieces of original composition from field recordings were used in the Paris performance of Timeproject, a separate but related piece.